19th Century Art on Medicine: “Homeopathy looks at the horrors of Allopathy”

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Homeopathy looks at the horrors of Allopathy, by Alexander Beideman (1857) (Image via Wikimedia Commons)

“Homeopathy looks at the horrors of Allopathy” — an allegorical painting by Russian artist Alexander Beideman, painted in 1857.

The allegorical image was created by Alexander Beydeman in Munich in 1857. According to the homeopath Nicholas Gabrilovich, the painting was commissioned by his father, Eugene Gabrilowitsch, who at that time studied in Munich.

“The positive pole of the scene” is located in the right part of the picture. In the background an allegory of soaring in the clouds Homeopathy. In front of her in a red cloak,  the god of medicine Aesculapius holding a symbol of medicine snake in the right hand. His left hand raised in anger and indignation. Behind him,  the goddess Athena who protects the sciences and shadowy Jupiter-like figure. At the right edge of the canvas is the German physician Samuel Hahnemann, the founder of homeopathy. Goddess of Justice is holding a balance and flaming sword in the background. I can only guess who is the winged child with a flame on his head (god of light Apollo?) and I cannot even guess who is the half-hidden woman.

All gods and heroes look with disapproval and indignation at associated with allopathy (modern medicine) “negative pole,” located on the left side of the picture where doctors mistreat a patient. One of them is sawing off the patient’s  leg, two other filling an enormous spoon with the medicine intending to shove it into the patien’d moth. The third MD is prizing the patient’s mouth open to receive the medicine under duress. In the corner, black-clad doctors congregate.

In the foreground, a doctor attaches leeches to the patient lower arm and belly – a popular universal remedy and one of the very few medicines available to pre-modern conventional doctors. The figure of Death is waiting for patient’s demise in the doorway. Patient’s wife sobbing and crying children depicted in the lower left corner.

josephwright-alchemist
«The Alchemist Discovering Phosphorus» (1771).

Let’s compare the picture with painted a century earlier Joseph Wright’s. Gone is the divine inspiration in form of light beam. It’s replaced by Roman gods and a saint – Homeopathy founder. Gone is the lonely, hermit-like figure of scientist replaced by the group of untrustworthy-looking black-clad group of men. Gone is the uplifting harmony of Enlightenment and it’s replaced by a black and white struggle.

“Homeopathy looks at the horrors of Allopathy” is a blatant propaganda via 19th-century medium – painting.

Note: I used my translation of Russian Wikipedia article by  Adavyd  as a starting point for this post. CC-BY-SA 4.0

Sources:

  1.  DK (1 September 2016). Medicine: The Definitive Illustrated History. Dorling Kindersley Limited. pp. 107–110. ISBN 978-0-241-28715-6.
  2.  Государственная Третьяковская галерея — каталог собрания. 4: Живопись второй половины XIX века, книга 1, А—М. М.: Красная площадь. Я. В. БрукЛ. И. Иовлева. 2001. ISBN 5-900743-56-X.
  3.  Верещагина, Алла Глебовна (1958). “Александр Егорович Бейдеман” (Русское искусство: очерки о жизни и творчестве художников. Середина XIX века. ed.). Москва: Искусство. А. И. Леонов: 275—286.
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One thought on “19th Century Art on Medicine: “Homeopathy looks at the horrors of Allopathy”

  1. Pingback: 19th Century Art on Medicine: “Homeopathy looks at the horrors of Allopathy” – homeopathylane.com wordpress blog

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